Marguerite Duras was born in Giadinh, Vietnam (then Indochina) to French parents. During her lifetime she wrote dozens of plays, film scripts, and novels, including The Ravishing of Lol Stein, The Sea Wall, and Hiroshima, Mon Amour, and was associated with the nouveau roman (or new novel) French literary movement. Duras is probably most well known for The Lover, an autobiographical work that received the Goncourt prize in 1984 and was made into a film in 1992. She died in Paris in 1996 at the age of 81.

A man—the traveler—arrives in the seaside town of S. Thala with the intent to abandon his present, and instead finds himself abruptly reintroduced to his past. Through his subsequent interactions with “her,” the woman to whom he was briefly engaged as a young man over twenty years ago, and “him,” the man who walks and keeps watch over “her,” the traveler is soon drawn back in and acclimated to the strange timelessness and company that is S. Thala.

Written in a stark and cinematic narrative style, this sequel to Duras’s 1964 novel The Ravishing of Lol Stein is a curious, yet haunting representation of the human memory: what we choose to recall, what we choose to forget, and how reliable we ultimately decide ourselves to be.

Disaffected, bored with his career at the French Colonial Ministry (where he has copied out birth and death certificates for eight years), and disgusted by a mistress whose vapid optimism arouses his most violent misogyny, the narrator of The Sailor from Gibraltar finds himself at the point of complete breakdown while vacationing in Florence. After leaving his mistress and the Ministry behind forever, he joins the crew of The Gibraltar, a yacht captained by Anna, a beautiful American in perpetual search of her sometime lover, a young man known only as the "Sailor from Gibraltar."

First published in 1952, this early novel of Duras's—which was made into a film in 1967—shows those preoccupations which have so deeply concerned her in her later novels and film scripts: loneliness, boredom, the inevitability and intangibility of love. The lambent poetry of the book, and the limning of a woman's mind, her love and sense of the inevitability of that love are singularly Marguerite Duras.