Ingrid Winterbach is an artist and novelist whose work has won South Africa’s M-Net Prize, Old Mutual Literary Prize, the University of Johannesburg Prize for Creative Writing, and the W.A. Hofmeyr Prize. To Hell with Cronjé won the 2004 Hertzog Prize, an honor she shares with the novelists Breyten Breytenbach and Etienne Leroux.

A middle-aged lexicographer, Helena Verbloem, travels alone to Durban to assist in the creation of a dictionary of Afrikaans words that have fallen out of use. Shortly after her arrival, her apartment is burglarized, and her collection of precious shells, shells that she had been collecting for a lifetime, is stolen. Meeting with indifference from the local police, she decides to investigate the crime on her own, with the help of her new friend from the Museum of Natural History, Sof. While investigating the crime, Helena reflects on the life she’s lived—her ex-husband, her daughter, her lovers, her childhood—and begins to fall in love with her married boss, Theo Verway.

An alternately sublime and satirical meditation on love, loss, and obsession, Ingrid Winterbach's The Book of Happenstance is an emotionally affecting masterpiece from one of South Africa’s most exciting authors.

Two scientists, Reitz Steyn and Ben Maritz, find themselves in a “transit camp for those temporarily and permanently unfit for battle” during the Boer War. Captured on suspicion of desertion and treason—during a trek across an unchanging desert of bushes, rocks, and ant hills to help transport a fellow-soldier, who has suffered debilitating shell-shock, to his mother—they are forced to await the judgment of a General Bergh, unsure whether they are to be conscripted into Bergh’s commando, allowed to continue their mission, or executed for treason. As the weeks pass, and the men’s despair at ever returning to their families reaches its peak, they are sent on a bizarre mission...

A South African Heart of Darkness, Ingrid Winterbach’s To Hell with Cronjé is a poetic exploration of friendship and camaraderie, an eerie reflection of the futility of war, and a thought-provoking re-examination of the founding moments of the South African nation.