Jakov Lind (1926–2007) was born Heinz Jakov Landwirth in Vienna in 1927 to an assimilated Jewish family. Arriving in the Netherlands as a part of the Kindertransport in 1939, Lind survived the Second World War by fleeing into Germany, where he disguised himself as a Dutch deckhand on a barge on the Rhine. Following the war, he spent several years in Israel and Vienna before finally settling in London in 1954. It was in London that he wrote, first in German and later in English, the novels, short stories, and autobiographies that made his reputation, including his masterpieces: Landscape in Concrete, Ergo (forthcoming from Open Letter), and Soul of Wood. Regarded in his lifetime as a successor to Beckett and Kafka, Lind was posthumously awarded the Theodor Kramer Prize in 2007.

Wacholder lives and works at Custom House No. 8 with his adopted son Aslan and a lodger named Leo. Aslan spends his days copying out the novels of Kleist, Schiller, Goethe, and Mann; Leo, never leaving his bed, mentally composes his philosophical masterwork, Placental Theory of Existence; and Wacholder's only apparent responsibility is keeping watch over a towering mountain of paper. Wacholder's consuming passion, however, is his only true friend and nemesis, Würz.

Würz hasn't left his home in over seventeen years. He lives there, in a cocoon of cleanliness and order, with his wife Rita and Rita's two grown sons, Arnold and Arnulf. Würz has dedicated his life to perfecting his home and eliminating every last atom of dirt. His happiness is disturbed only by the letters, 74 in all, Wacholder has sent him over the years. These letters—dictated by Wacholder, written by Aslan, and full of every kind of insanity and invective—are intended to smoke Würz out of his hole, both for his own good and to stop him from plotting against Wacholder.

When the 74th letter seemingly has no effect, Wacholder turns to other increasingly outlandish schemes to defeat his rival, even staging a rally to declare Würz's non-existence. A feverishly comic carnival, Ergo is Jakov Lind's most experimental work and the final novel he wrote in German.

Sergeant Gauthier Bachmann is the perfect Nazi soldier. But after a horrifying defeat at Voroshenko, where most of his Eighth Hessian Infantry Regiment was slaughtered in a single instant, Bachmann was declared mentally unfit to serve. Incapable of accepting this judgment, and of returning to his girlfriend and a quiet life as a gold- and silversmith, Bachmann wanders the war-ravaged countryside, trying to find a way to rejoin his regiment, or any regiment, and return to the front.

While trying to find his regiment and come to terms with the horrors he has seen and committed, the increasingly unstable Bachmann is manipulated by a series of figures from the underbelly of war’s underbelly—deserters and collaborators, corrupt officers and sexual predators—who induce him to carry out their venal missions, which they’ve justified against the background of institutionalized murder going on all around them.

Containing dark echoes of Jaroslav Hašek's The Good Soldier Švejk, Jakov Lind's Landscape in Concrete is an "astonishing and highly original imagining of (the) dimensions of evil including sadistic cruelty, of the condition of being a victim and the madness abroad which constitutes the virtual victory of Hitler if we fail to translate survival into freedom" (Anthony Rudolf).